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26  <o:Author>Jennifer Hruska</o:Author>
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560	mso-fareast-font-family:"Times New Roman";
561	mso-ansi-language:EN-IE;}
562p.MsoFooter, li.MsoFooter, div.MsoFooter
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570	mso-ansi-language:EN-IE;}
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596	mso-bidi-font-weight:normal;}
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602	margin-bottom:0in;
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604	margin-bottom:.0001pt;
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619	mso-element-frame-width:5.5in;
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621	mso-element-frame-hspace:9.0pt;
622	mso-element-wrap:auto;
623	mso-element-anchor-horizontal:page;
624	mso-element-left:center;
625	mso-element-top:bottom;
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627	mso-bidi-font-size:10.0pt;
628	font-family:Arial;
629	mso-fareast-font-family:"Times New Roman";
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631p.MsoEnvelopeReturn, li.MsoEnvelopeReturn, div.MsoEnvelopeReturn
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639p.MsoEndnoteText, li.MsoEndnoteText, div.MsoEndnoteText
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647	mso-ansi-language:EN-IE;}
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662p.MsoMacroText, li.MsoMacroText, div.MsoMacroText
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671	font-family:"Courier New";
672	mso-fareast-font-family:"Times New Roman";
673	mso-bidi-font-family:"Times New Roman";
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675p.MsoToaHeading, li.MsoToaHeading, div.MsoToaHeading
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680	margin-bottom:0in;
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682	margin-bottom:.0001pt;
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694	margin-bottom:0in;
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701	mso-fareast-font-family:"Times New Roman";
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716	mso-fareast-font-family:"Times New Roman";
717	mso-ansi-language:EN-IE;}
718p.MsoListNumber, li.MsoListNumber, div.MsoListNumber
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720	margin-right:0in;
721	margin-bottom:0in;
722	margin-left:.25in;
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726	mso-list:l8 level1 lfo3;
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728	font-size:10.0pt;
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730	mso-fareast-font-family:"Times New Roman";
731	mso-ansi-language:EN-IE;}
732p.MsoList2, li.MsoList2, div.MsoList2
733	{margin-top:0in;
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735	margin-bottom:0in;
736	margin-left:.5in;
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742	mso-fareast-font-family:"Times New Roman";
743	mso-ansi-language:EN-IE;}
744p.MsoList3, li.MsoList3, div.MsoList3
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747	margin-bottom:0in;
748	margin-left:.75in;
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754	mso-fareast-font-family:"Times New Roman";
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759	margin-bottom:0in;
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765	font-family:Arial;
766	mso-fareast-font-family:"Times New Roman";
767	mso-ansi-language:EN-IE;}
768p.MsoList5, li.MsoList5, div.MsoList5
769	{margin-top:0in;
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777	font-family:Arial;
778	mso-fareast-font-family:"Times New Roman";
779	mso-ansi-language:EN-IE;}
780p.MsoListBullet2, li.MsoListBullet2, div.MsoListBullet2
781	{mso-style-update:auto;
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783	margin-right:0in;
784	margin-bottom:0in;
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793	mso-fareast-font-family:"Times New Roman";
794	mso-ansi-language:EN-IE;}
795p.MsoListBullet3, li.MsoListBullet3, div.MsoListBullet3
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799	margin-bottom:0in;
800	margin-left:.75in;
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808	mso-fareast-font-family:"Times New Roman";
809	mso-ansi-language:EN-IE;}
810p.MsoListBullet4, li.MsoListBullet4, div.MsoListBullet4
811	{mso-style-update:auto;
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815	margin-left:1.0in;
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819	mso-list:l5 level1 lfo6;
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822	font-family:Arial;
823	mso-fareast-font-family:"Times New Roman";
824	mso-ansi-language:EN-IE;}
825p.MsoListBullet5, li.MsoListBullet5, div.MsoListBullet5
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827	margin-top:0in;
828	margin-right:0in;
829	margin-bottom:0in;
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831	margin-bottom:.0001pt;
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834	mso-list:l4 level1 lfo7;
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837	font-family:Arial;
838	mso-fareast-font-family:"Times New Roman";
839	mso-ansi-language:EN-IE;}
840p.MsoListNumber2, li.MsoListNumber2, div.MsoListNumber2
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852	mso-fareast-font-family:"Times New Roman";
853	mso-ansi-language:EN-IE;}
854p.MsoListNumber3, li.MsoListNumber3, div.MsoListNumber3
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857	margin-bottom:0in;
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868p.MsoListNumber4, li.MsoListNumber4, div.MsoListNumber4
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882p.MsoListNumber5, li.MsoListNumber5, div.MsoListNumber5
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896p.MsoTitle, li.MsoTitle, div.MsoTitle
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899	margin-bottom:3.0pt;
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909	mso-ansi-language:EN-IE;
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912p.MsoClosing, li.MsoClosing, div.MsoClosing
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921	mso-fareast-font-family:"Times New Roman";
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923p.MsoSignature, li.MsoSignature, div.MsoSignature
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925	margin-right:0in;
926	margin-bottom:0in;
927	margin-left:3.0in;
928	margin-bottom:.0001pt;
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931	font-family:Arial;
932	mso-fareast-font-family:"Times New Roman";
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934p.MsoBodyText, li.MsoBodyText, div.MsoBodyText
935	{margin-top:0in;
936	margin-right:0in;
937	margin-bottom:6.0pt;
938	margin-left:0in;
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941	font-family:Arial;
942	mso-fareast-font-family:"Times New Roman";
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944p.MsoBodyTextIndent, li.MsoBodyTextIndent, div.MsoBodyTextIndent
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946	margin-right:0in;
947	margin-bottom:6.0pt;
948	margin-left:.25in;
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952	mso-fareast-font-family:"Times New Roman";
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954p.MsoListContinue, li.MsoListContinue, div.MsoListContinue
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956	margin-right:0in;
957	margin-bottom:6.0pt;
958	margin-left:.25in;
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961	font-family:Arial;
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964p.MsoListContinue2, li.MsoListContinue2, div.MsoListContinue2
965	{margin-top:0in;
966	margin-right:0in;
967	margin-bottom:6.0pt;
968	margin-left:.5in;
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971	font-family:Arial;
972	mso-fareast-font-family:"Times New Roman";
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974p.MsoListContinue3, li.MsoListContinue3, div.MsoListContinue3
975	{margin-top:0in;
976	margin-right:0in;
977	margin-bottom:6.0pt;
978	margin-left:.75in;
979	mso-pagination:widow-orphan lines-together;
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981	font-family:Arial;
982	mso-fareast-font-family:"Times New Roman";
983	mso-ansi-language:EN-IE;}
984p.MsoListContinue4, li.MsoListContinue4, div.MsoListContinue4
985	{margin-top:0in;
986	margin-right:0in;
987	margin-bottom:6.0pt;
988	margin-left:1.0in;
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990	font-size:10.0pt;
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992	mso-fareast-font-family:"Times New Roman";
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994p.MsoListContinue5, li.MsoListContinue5, div.MsoListContinue5
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996	margin-right:0in;
997	margin-bottom:6.0pt;
998	margin-left:1.25in;
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1001	font-family:Arial;
1002	mso-fareast-font-family:"Times New Roman";
1003	mso-ansi-language:EN-IE;}
1004p.MsoMessageHeader, li.MsoMessageHeader, div.MsoMessageHeader
1005	{margin-top:0in;
1006	margin-right:0in;
1007	margin-bottom:0in;
1008	margin-left:.75in;
1009	margin-bottom:.0001pt;
1010	text-indent:-.75in;
1011	mso-pagination:widow-orphan lines-together;
1012	background:#CCCCCC;
1013	mso-shading:windowtext;
1014	mso-pattern:gray-20 auto;
1015	border:none;
1016	mso-border-alt:solid windowtext .75pt;
1017	padding:0in;
1018	mso-padding-alt:1.0pt 1.0pt 1.0pt 1.0pt;
1019	font-size:12.0pt;
1020	mso-bidi-font-size:10.0pt;
1021	font-family:Arial;
1022	mso-fareast-font-family:"Times New Roman";
1023	mso-ansi-language:EN-IE;}
1024p.MsoSubtitle, li.MsoSubtitle, div.MsoSubtitle
1025	{margin-top:0in;
1026	margin-right:0in;
1027	margin-bottom:3.0pt;
1028	margin-left:0in;
1029	text-align:center;
1030	mso-pagination:widow-orphan lines-together;
1031	mso-outline-level:2;
1032	font-size:12.0pt;
1033	mso-bidi-font-size:10.0pt;
1034	font-family:Arial;
1035	mso-fareast-font-family:"Times New Roman";
1036	mso-ansi-language:EN-IE;}
1037p.MsoSalutation, li.MsoSalutation, div.MsoSalutation
1038	{mso-style-next:Normal;
1039	margin:0in;
1040	margin-bottom:.0001pt;
1041	mso-pagination:widow-orphan lines-together;
1042	font-size:10.0pt;
1043	font-family:Arial;
1044	mso-fareast-font-family:"Times New Roman";
1045	mso-ansi-language:EN-IE;}
1046p.MsoDate, li.MsoDate, div.MsoDate
1047	{mso-style-next:Normal;
1048	margin:0in;
1049	margin-bottom:.0001pt;
1050	mso-pagination:widow-orphan lines-together;
1051	font-size:10.0pt;
1052	font-family:Arial;
1053	mso-fareast-font-family:"Times New Roman";
1054	mso-ansi-language:EN-IE;}
1055p.MsoBodyTextFirstIndent, li.MsoBodyTextFirstIndent, div.MsoBodyTextFirstIndent
1056	{mso-style-parent:"Body Text";
1057	margin-top:0in;
1058	margin-right:0in;
1059	margin-bottom:6.0pt;
1060	margin-left:0in;
1061	text-indent:10.5pt;
1062	mso-pagination:widow-orphan lines-together;
1063	font-size:10.0pt;
1064	font-family:Arial;
1065	mso-fareast-font-family:"Times New Roman";
1066	mso-ansi-language:EN-IE;}
1067p.MsoBodyTextFirstIndent2, li.MsoBodyTextFirstIndent2, div.MsoBodyTextFirstIndent2
1068	{mso-style-parent:"Body Text Indent";
1069	margin-top:0in;
1070	margin-right:0in;
1071	margin-bottom:6.0pt;
1072	margin-left:.25in;
1073	text-indent:10.5pt;
1074	mso-pagination:widow-orphan lines-together;
1075	font-size:10.0pt;
1076	font-family:Arial;
1077	mso-fareast-font-family:"Times New Roman";
1078	mso-ansi-language:EN-IE;}
1079p.MsoNoteHeading, li.MsoNoteHeading, div.MsoNoteHeading
1080	{mso-style-next:Normal;
1081	margin:0in;
1082	margin-bottom:.0001pt;
1083	mso-pagination:widow-orphan lines-together;
1084	font-size:10.0pt;
1085	font-family:Arial;
1086	mso-fareast-font-family:"Times New Roman";
1087	mso-ansi-language:EN-IE;}
1088p.MsoBodyText2, li.MsoBodyText2, div.MsoBodyText2
1089	{margin-top:0in;
1090	margin-right:0in;
1091	margin-bottom:6.0pt;
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1506</head>
1507
1508<body lang=EN-US link=blue vlink=purple style='tab-interval:.5in'>
1509	    
1510<pre>
1511   Copyright (C) 2009 The Android Open Source Project
1512
1513   Licensed under the Apache License, Version 2.0 (the "License");
1514   you may not use this file except in compliance with the License.
1515   You may obtain a copy of the License at
1516
1517         http://www.apache.org/licenses/LICENSE-2.0
1518
1519   Unless required by applicable law or agreed to in writing, software
1520   distributed under the License is distributed on an "AS IS" BASIS,
1521   WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied.
1522   See the License for the specific language governing permissions and
1523   limitations under the License.
1524</pre>
1525
1526<div class=Section1>
1527
1528<p class=MsoTitle align=left style='text-align:left'><a name="_Toc203298075"></a><a
1529name="_Toc203292246"><span style='mso-bookmark:_Toc203298075'><span lang=EN-IE
1530style='font-size:20.0pt'>JET� Content Authoring Guidelines</span></span></a><span
1531lang=EN-IE style='font-size:20.0pt'><o:p></o:p></span></p>
1532
1533<p class=MsoTitle align=left style='text-align:left'><a name="_Toc194831970"></a><a
1534name="_Toc194830086"></a><a name="_Toc194740814"></a><a name="_Toc194738556"></a><a
1535name="_Toc203298078"></a><a name="_Toc203292249"><span style='mso-bookmark:
1536_Toc203298078'><span style='mso-bookmark:_Toc194738556'><span style='mso-bookmark:
1537_Toc194740814'><span style='mso-bookmark:_Toc194830086'><span style='mso-bookmark:
1538_Toc194831970'><span lang=EN-IE>JET Interactive Music Engine</span></span></span></span></span></span></a></p>
1539
1540<p class=MsoTitle align=left style='text-align:left'><span lang=EN-IE
1541style='font-size:12.0pt'>Vrs 1.0<o:p></o:p></span></p>
1542
1543<p class=MsoTitle align=left style='text-align:left'><span lang=EN-IE
1544style='font-size:12.0pt'>Authored by SONiVOX<o:p></o:p></span></p>
1545
1546<p class=MsoTitle align=left style='text-align:left'><span lang=EN-IE
1547style='font-size:12.0pt'><a href="http://www.sonivoxrocks.com/">www.sonivoxrocks.com</a><o:p></o:p></span></p>
1548
1549<p class=MsoTitle align=left style='text-align:left'><span lang=EN-IE
1550style='font-size:12.0pt'>Copyright 2009 Sonic Network, Inc.<o:p></o:p></span></p>
1551
1552<p class=MsoCommentText><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
1553
1554<p class=MsoHeader><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
1555
1556<h1><a name="_Toc482161515"></a><a name="_Toc203298082"><span style='mso-bookmark:
1557_Toc482161515'><![if !supportLists]><span lang=EN-IE style='mso-fareast-font-family:
1558Arial'><span style='mso-list:Ignore'>1<span style='font:7.0pt "Times New Roman"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
1559</span></span></span><![endif]><span lang=EN-IE>Introduction</span></span></a></h1>
1560
1561<h2><a name="_Toc203298083"><![if !supportLists]><span lang=EN-IE
1562style='mso-fareast-font-family:Arial'><span style='mso-list:Ignore'>1.1<span
1563style='font:7.0pt "Times New Roman"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
1564</span></span></span><![endif]><span lang=EN-IE>Overview</span></a></h2>
1565
1566<p class=MsoNormal><span lang=EN-IE>This document contains content creation
1567guidelines for composers and sound designers authoring music and sound effects
1568for the SONiVOX JET platform.<span style='mso-spacerun:yes'>� </span>JET is an
1569interactive music player for small embedded devices, including the Google Android
1570platform. It allows applications to include interactive music soundtracks, in <st1:place
1571w:st="on">MIDI</st1:place> format, that respond in real-time to game play
1572events and user interaction. </span></p>
1573
1574<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
1575
1576<p class=MsoNormal><span lang=EN-IE>JET works in conjunction with SONiVOX�s
1577Embedded Audio Synthesizer (EAS) which is the <st1:place w:st="on">MIDI</st1:place>
1578playback device for Android.<span style='mso-spacerun:yes'>� </span>Both the
1579JET and EAS engines are integrated into the Android embedded platform as well
1580as inherent in the JET Creator application. As such, the JET content author can
1581be sure that the playback will sound exactly the same in both the JET Creator
1582and the final Android application playing back on Android mobile devices.</span></p>
1583
1584<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
1585
1586<p class=MsoNormal><span lang=EN-IE>The JET content author works in up to three
1587different applications to create JET content; a standard <st1:place w:st="on">MIDI</st1:place>
1588sequencer (Logic, Cubase, etc.), optionally a DLS2 instrument editor (Awave),
1589and the JET Creator application to add and audition JET interactive elements. </span></p>
1590
1591<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
1592
1593<p class=MsoNormal><span lang=EN-IE>The final result is a .jet file that the
1594content author gives to the application programmer for use in the game or
1595application.</span></p>
1596
1597<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
1598
1599<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
1600
1601<h2><a name="_Toc203298084"><![if !supportLists]><span lang=EN-IE
1602style='mso-fareast-font-family:Arial'><span style='mso-list:Ignore'>1.2<span
1603style='font:7.0pt "Times New Roman"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
1604</span></span></span><![endif]><span lang=EN-IE>Abbreviations and Common Terms</span></a></h2>
1605
1606<p class=MsoNormal><span lang=EN-IE>It is important to use a common set of
1607terms to minimize confusion. Since JET uses <st1:place w:st="on">MIDI</st1:place>
1608in a unique way, normal industry terms may not always suffice. Here is the
1609definition of terms as they are used in this document and in the JET Creator
1610application:</span></p>
1611
1612<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
1613
1614<p class=MsoNormal><i style='mso-bidi-font-style:normal'><span lang=EN-IE>Channel</span></i><span
1615lang=EN-IE>: MIDI data associated with a specific <st1:place w:st="on">MIDI</st1:place>
1616channel. Standard MIDI allows for 16 channels of <st1:place w:st="on">MIDI</st1:place>
1617data each of which are typically associated with a specific instrument. </span></p>
1618
1619<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
1620
1621<p class=MsoNormal><i style='mso-bidi-font-style:normal'><span lang=EN-IE>Controller</span></i><span
1622lang=EN-IE>: A <st1:place w:st="on">MIDI</st1:place> event consisting of a
1623channel number, controller number, and a controller value. The <st1:place
1624w:st="on">MIDI</st1:place> spec associates many controller numbers with
1625specific functions, such as volume, expression, sustain pedal, etc. JET also
1626uses controller events as a means of embedding special control information in a
1627<st1:place w:st="on">MIDI</st1:place> sequence to provide for audio
1628synchronization.</span></p>
1629
1630<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
1631
1632<p class=MsoNormal><i style='mso-bidi-font-style:normal'><span lang=EN-IE>DAW</span></i><span
1633lang=EN-IE>: Digital Audio Workstation. A common term for <st1:place w:st="on">MIDI</st1:place>
1634and audio sequencing applications such as Logic, SONAR, Cubase and others. </span></p>
1635
1636<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
1637
1638<p class=MsoNormal><i style='mso-bidi-font-style:normal'><span lang=EN-IE>EAS:</span></i><span
1639lang=EN-IE> Embedded <st1:place w:st="on">MIDI</st1:place> Synthesizer. The
1640name of the SONiVOX MIDI synthesizer engine.</span></p>
1641
1642<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
1643
1644<p class=MsoNormal><i style='mso-bidi-font-style:normal'><span lang=EN-IE>JET</span></i><span
1645lang=EN-IE>: Jet Interactive Engine. The name of the SONiVOX JET interactive
1646music engine.</span></p>
1647
1648<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
1649
1650<p class=MsoNormal><i style='mso-bidi-font-style:normal'><span lang=EN-IE>Segment</span></i><span
1651lang=EN-IE>: A musical section such as a chorus or verse that is a component of
1652the overall composition. In JET, a segment can be an entire MIDI file or a
1653derived from a portion of a <st1:place w:st="on">MIDI</st1:place> file.</span></p>
1654
1655<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
1656
1657<p class=MsoNormal><i style='mso-bidi-font-style:normal'><span lang=EN-IE>SMF-0</span></i><span
1658lang=EN-IE>: Standard MIDI File Type 0, a MIDI file that contains a single
1659track, but may be made up of multiple channels of <st1:place w:st="on">MIDI</st1:place>
1660data.</span></p>
1661
1662<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
1663
1664<p class=MsoNormal><i style='mso-bidi-font-style:normal'><span lang=EN-IE>SMF-1</span></i><span
1665lang=EN-IE>: Standard MIDI File Type 1, a MIDI file that contains a one more
1666tracks, and each track may in turn be made up of one or more channels of <st1:place
1667w:st="on">MIDI</st1:place> data. By convention, each channel is stored on a
1668separate track in an SMF-1 file. However, it is possible to have multiple MIDI
1669channels on a single track, or multiple tracks that contain data for the same <st1:place
1670w:st="on">MIDI</st1:place> channel.</span></p>
1671
1672<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
1673
1674<p class=MsoNormal><i style='mso-bidi-font-style:normal'><span lang=EN-IE>Track</span></i><span
1675lang=EN-IE>: A single track in a DAW containing a timed sequence of <st1:place
1676w:st="on">MIDI</st1:place> events. Be careful not to confuse Tracks with
1677Channels. A MIDI file may contain many tracks with several tracks utilizing the
1678same <st1:place w:st="on">MIDI</st1:place> channel. </span></p>
1679
1680<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
1681
1682<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
1683
1684<h1><a name="_Toc203298085"></a><a name="_Toc135723076"></a><a
1685name="_Toc135723793"></a><a name="_Toc135724016"></a><a name="_Toc135724241"></a><a
1686name="_Toc135724464"></a><a name="_Toc135724687"></a><a name="_Toc135724909"></a><a
1687name="_Toc135725132"></a><a name="_Toc135726607"></a><a name="_Toc135727776"></a><a
1688name="_Toc137004452"></a><a name="_Toc135724689"></a><a name="_Toc135724467"></a><![if !supportLists]><span
1689style='mso-bookmark:_Toc203298085'><span lang=EN-IE style='mso-fareast-font-family:
1690Arial'><span style='mso-list:Ignore'>1<span style='font:7.0pt "Times New Roman"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
1691</span></span></span></span><![endif]><span style='mso-bookmark:_Toc203298085'><span
1692lang=EN-IE>The JET Interactive Music Concept</span></span></h1>
1693
1694<p class=MsoNormal><span lang=EN-IE>Interactive music can be defined as music
1695that changes in real-time according to non-predictable events such as user
1696interaction or game play events. In this way, interactive music is much more
1697engaging as it has the ability to match the energy and mood of a game much
1698closer than a pre-composed composition that never changes. In some applications
1699and games, interactive music is central to the game play. Guitar Hero is one
1700such popular game. When the end user successfully �captures� the musical notes
1701coming down the fret board, the music adapts itself and simultaneously keeps
1702score of successes and failures. JET allows for these types of music driven
1703games as well.</span></p>
1704
1705<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
1706
1707<p class=MsoNormal><span lang=EN-IE>There are several methods for making and
1708controlling interactive music and JET is one such method. This section
1709describes the features of JET and how they might be used in a game or software
1710application. It also describes how JET can be used to save memory in small
1711footprint devices such as Android enabled mobile handsets.</span></p>
1712
1713<h3><a name="_Toc203298086"><![if !supportLists]><span class=Heading2Char><span
1714lang=EN-IE style='font-size:12.0pt;mso-bidi-font-size:10.0pt;mso-fareast-font-family:
1715Arial;mso-bidi-font-weight:normal'><span style='mso-list:Ignore'>1.1.1<span
1716style='font:7.0pt "Times New Roman"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span></span></span></span><![endif]><span
1717class=Heading2Char><span lang=EN-IE style='font-size:12.0pt;mso-bidi-font-size:
171810.0pt;font-weight:normal'>Data Compression</span></span></a><span
1719style='mso-bookmark:_Toc203298086'></span><span class=Heading2Char><span
1720lang=EN-IE style='font-size:12.0pt;mso-bidi-font-size:10.0pt;mso-bidi-font-weight:
1721normal'><o:p></o:p></span></span></h3>
1722
1723<p class=MsoNormal><span lang=EN-IE>JET supports a flexible music format that
1724can be used to create extended musical sequences with a minimal amount of data.
1725A musical composition is broken up into segments that can be sequenced to
1726create a longer piece. The sequencing can be fixed at the time the music file
1727is authored, or it can be created dynamically under program control.</span></p>
1728
1729<h3><a name="_Toc203298087"><![if !supportLists]><span class=Heading2Char><span
1730lang=EN-IE style='font-size:12.0pt;mso-bidi-font-size:10.0pt;mso-fareast-font-family:
1731Arial;mso-bidi-font-weight:normal'><span style='mso-list:Ignore'>1.1.2<span
1732style='font:7.0pt "Times New Roman"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span></span></span></span><![endif]><span
1733class=Heading2Char><span lang=EN-IE style='font-size:12.0pt;mso-bidi-font-size:
173410.0pt;font-weight:normal'>Linear Music Example</span></span></a><span
1735style='mso-bookmark:_Toc203298087'></span><span class=Heading2Char><span
1736lang=EN-IE style='font-size:12.0pt;mso-bidi-font-size:10.0pt;mso-bidi-font-weight:
1737normal'><o:p></o:p></span></span></h3>
1738
1739<p class=MsoNormal><span lang=EN-IE><!--[if gte vml 1]><v:shapetype id="_x0000_t75"
1740 coordsize="21600,21600" o:spt="75" o:preferrelative="t" path="m@4@5l@4@11@9@11@9@5xe"
1741 filled="f" stroked="f">
1742 <v:stroke joinstyle="miter"/>
1743 <v:formulas>
1744  <v:f eqn="if lineDrawn pixelLineWidth 0"/>
1745  <v:f eqn="sum @0 1 0"/>
1746  <v:f eqn="sum 0 0 @1"/>
1747  <v:f eqn="prod @2 1 2"/>
1748  <v:f eqn="prod @3 21600 pixelWidth"/>
1749  <v:f eqn="prod @3 21600 pixelHeight"/>
1750  <v:f eqn="sum @0 0 1"/>
1751  <v:f eqn="prod @6 1 2"/>
1752  <v:f eqn="prod @7 21600 pixelWidth"/>
1753  <v:f eqn="sum @8 21600 0"/>
1754  <v:f eqn="prod @7 21600 pixelHeight"/>
1755  <v:f eqn="sum @10 21600 0"/>
1756 </v:formulas>
1757 <v:path o:extrusionok="f" gradientshapeok="t" o:connecttype="rect"/>
1758 <o:lock v:ext="edit" aspectratio="t"/>
1759</v:shapetype><v:shape id="_x0000_i1025" type="#_x0000_t75" style='width:431.25pt;
1760 height:294.75pt' o:ole="">
1761 <v:imagedata src="JET_Authoring_Guidelines_files/image002.emz" o:title=""/>
1762</v:shape><![endif]--><![if !vml]><img border=0 width=575 height=393
1763src="JET_Authoring_Guidelines_files/image013.gif" v:shapes="_x0000_i1025"><![endif]><!--[if gte mso 9]><xml>
1764 <o:OLEObject Type="Embed" ProgID="Visio.Drawing.11" ShapeID="_x0000_i1025"
1765  DrawAspect="Content" ObjectID="_1298963276">
1766 </o:OLEObject>
1767</xml><![endif]--></span></p>
1768
1769<p class=MsoCaption><span lang=EN-IE>Figure <span style='mso-field-code:" SEQ Figure \\* ARABIC "'><span
1770style='mso-no-proof:yes'>1</span></span>: Linear Music Piece</span></p>
1771
1772<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
1773
1774<p class=MsoNormal><span lang=EN-IE>This diagram shows how musical segments are
1775stored. Each segment is authored as a separate <st1:place w:st="on">MIDI</st1:place>
1776file. A post-processing tool combines the files into a single container file.
1777Each segment can contain alternate music tracks that can be muted or un-muted
1778to create additional interest. An example might be a brass accent in the chorus
1779that is played only the last time through. Also, segments can be transposed up
1780or down.</span></p>
1781
1782<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
1783
1784<p class=MsoNormal><span lang=EN-IE>The bottom part of the diagram shows how
1785the musical segments can be recombined to create a linear music piece. In this
1786example, the bridge might end with a half-step key modulation and the remaining
1787segments could be transposed up a half-step to match.</span></p>
1788
1789<h3><a name="_Toc203298088"><![if !supportLists]><span lang=EN-IE
1790style='mso-fareast-font-family:Arial'><span style='mso-list:Ignore'>1.1.3<span
1791style='font:7.0pt "Times New Roman"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
1792</span></span></span><![endif]><span lang=EN-IE>Non-linear Music Example</span></a></h3>
1793
1794<p class=MsoNormal><span lang=EN-IE><!--[if gte vml 1]><v:shape id="_x0000_i1026"
1795 type="#_x0000_t75" style='width:6in;height:291.75pt' o:ole="">
1796 <v:imagedata src="JET_Authoring_Guidelines_files/image004.emz" o:title=""/>
1797</v:shape><![endif]--><![if !vml]><img border=0 width=576 height=389
1798src="JET_Authoring_Guidelines_files/image014.gif" v:shapes="_x0000_i1026"><![endif]><!--[if gte mso 9]><xml>
1799 <o:OLEObject Type="Embed" ProgID="Visio.Drawing.11" ShapeID="_x0000_i1026"
1800  DrawAspect="Content" ObjectID="_1298963277">
1801 </o:OLEObject>
1802</xml><![endif]--></span></p>
1803
1804<p class=MsoCaption><span lang=EN-IE>Figure <span style='mso-field-code:" SEQ Figure \\* ARABIC "'><span
1805style='mso-no-proof:yes'>2</span></span>: Non-linear music piece</span></p>
1806
1807<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
1808
1809<p class=MsoNormal><span lang=EN-IE>In this diagram, we see a non-linear music
1810piece. The scenario is a first-person-shooter (FPS) and JET is providing the
1811background music. The intro plays as the level is loading and then transitions
1812under program control to the Searching segment. This segment is repeated
1813indefinitely, perhaps with small variations (using the mute/un-mute feature)
1814until activity in the game dictates a change.</span></p>
1815
1816<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
1817
1818<p class=MsoNormal><span lang=EN-IE>As the player nears a monster lair, the
1819program starts a synchronized transition to the Danger segment, increasing the
1820tension level in the audio. As the player draws closer to the lair, additional
1821tracks are un-muted to increase the tension.</span></p>
1822
1823<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
1824
1825<p class=MsoNormal><span lang=EN-IE>As the player enters into combat with the
1826monster, the program starts a synchronized transition to the Combat segment.
1827The segment repeats indefinitely as the combat continues. A Bonus Hit
1828temporarily un-mutes a decorative track that notifies the player of a
1829successful attack, and similarly, another track is temporarily un-muted to
1830signify when the player receives Special Damage.</span></p>
1831
1832<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
1833
1834<p class=MsoNormal><span lang=EN-IE>At the end of combat, the music transitions
1835to a victory or defeat segment based on the outcome of battle.</span></p>
1836
1837<h3><a name="_Toc203298089"><![if !supportLists]><span lang=EN-IE
1838style='mso-fareast-font-family:Arial'><span style='mso-list:Ignore'>1.1.4<span
1839style='font:7.0pt "Times New Roman"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
1840</span></span></span><![endif]><span lang=EN-IE>Mute/Un-mute Synchronization</span></a></h3>
1841
1842<p class=MsoNormal><span lang=EN-IE>JET can also synchronize the muting and
1843un-muting of tracks to events in the music. For example, in the FPS game, it
1844would probably be desirable to place the musical events relating to bonuses and
1845damage as close to the actual game event as possible. However, simply un-muting
1846a track at the moment the game event occurs might result in a music clip
1847starting in the middle. Alternatively, a clip could be started from the
1848beginning, but then it wouldn�t be synchronized with the other music tracks.</span></p>
1849
1850<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
1851
1852<p class=MsoNormal><span lang=EN-IE>However, with the JET sync engine, a clip
1853can be started at the next opportune moment and maintain synchronization. This
1854can be accomplished by placing a number of short music clips on a decorative
1855track. A <st1:place w:st="on">MIDI</st1:place> event in the stream signifies
1856the start of a clip and a second event signifies the end of a clip. When the
1857application calls the JET clip function, the next clip in the track is allowed
1858to play fully synchronized to the music. Optionally, the track can be
1859automatically muted by a second <st1:place w:st="on">MIDI</st1:place> event.</span></p>
1860
1861<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
1862
1863<p class=MsoNormal><span lang=EN-IE><!--[if gte vml 1]><v:shape id="_x0000_i1027"
1864 type="#_x0000_t75" style='width:6in;height:116.25pt' o:ole="">
1865 <v:imagedata src="JET_Authoring_Guidelines_files/image006.emz" o:title=""/>
1866</v:shape><![endif]--><![if !vml]><img border=0 width=576 height=155
1867src="JET_Authoring_Guidelines_files/image008.gif" v:shapes="_x0000_i1027"><![endif]><!--[if gte mso 9]><xml>
1868 <o:OLEObject Type="Embed" ProgID="Visio.Drawing.11" ShapeID="_x0000_i1027"
1869  DrawAspect="Content" ObjectID="_1298963279">
1870 </o:OLEObject>
1871</xml><![endif]--></span></p>
1872
1873<p class=MsoCaption><span lang=EN-IE>Figure <span style='mso-field-code:" SEQ Figure \\* ARABIC "'><span
1874style='mso-no-proof:yes'>3</span></span>: Synchronized Mute/Unmute</span></p>
1875
1876<h2><a name="_Toc203298090"><![if !supportLists]><span lang=EN-IE
1877style='mso-fareast-font-family:Arial'><span style='mso-list:Ignore'>1.2<span
1878style='font:7.0pt "Times New Roman"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
1879</span></span></span><![endif]><span lang=EN-IE>Audio Synchronization</span></a></h2>
1880
1881<p class=MsoNormal><span lang=EN-IE>JET provides an audio synchronization API
1882that allows game play to be synchronized to events in the audio. The mechanism
1883relies on data embedded in the <st1:place w:st="on">MIDI</st1:place> file at
1884the time the content is authored. When the JET engine senses an event during
1885playback it generates a callback into the application program. The timing of
1886the callback can be adjusted to compensate for any latency in the audio
1887playback system so that audio and video can be synchronized. The diagram below
1888shows an example of a simple music game that involves pressing the left and
1889right arrows in time with the music.</span></p>
1890
1891<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
1892
1893<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
1894
1895<p class=MsoNormal><span lang=EN-IE><!--[if gte vml 1]><v:shape id="_x0000_i1028"
1896 type="#_x0000_t75" style='width:6in;height:100.5pt' o:ole="">
1897 <v:imagedata src="JET_Authoring_Guidelines_files/image015.emz" o:title=""/>
1898</v:shape><![endif]--><![if !vml]><img border=0 width=576 height=134
1899src="JET_Authoring_Guidelines_files/image010.gif" v:shapes="_x0000_i1028"><![endif]><!--[if gte mso 9]><xml>
1900 <o:OLEObject Type="Embed" ProgID="Visio.Drawing.11" ShapeID="_x0000_i1028"
1901  DrawAspect="Content" ObjectID="_1298963280">
1902 </o:OLEObject>
1903</xml><![endif]--></span></p>
1904
1905<p class=MsoCaption><span lang=EN-IE>Figure <span style='mso-field-code:" SEQ Figure \\* ARABIC "'><span
1906style='mso-no-proof:yes'>4</span></span>: Music Game<span style='mso-no-proof:
1907yes'> with Synchronization<o:p></o:p></span></span></p>
1908
1909<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
1910
1911<p class=MsoNormal><span lang=EN-IE>The arrows represent events in the music
1912sequence where game events need to be synchronized. In this case, the blue
1913arrow represents a time where the player is supposed to press the left button,
1914and the red arrow is for the right button. The yellow arrow tells the game
1915engine that the sequence is complete. The player is allowed a certain time
1916window before and after the event to press the appropriate key.</span></p>
1917
1918<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
1919
1920<p class=MsoNormal><span lang=EN-IE>If an event is received and the player has
1921not pressed a button, a timer is set to half the length of the window. If the
1922player presses the button before the timer expires, the game registers a
1923success, and if not, the game registers a failure. </span></p>
1924
1925<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
1926
1927<p class=MsoNormal><span lang=EN-IE>If the player presses the button before the
1928event is received, a timer is set to half the length of the window. If an event
1929is received before the timer expires, the game registers a success, and if not,
1930the game registers a failure. Game play might also include bonuses for getting
1931close to the timing of the actual event. </span></p>
1932
1933<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
1934
1935<h1><a name="_Toc203298091"><![if !supportLists]><span lang=EN-IE
1936style='mso-fareast-font-family:Arial'><span style='mso-list:Ignore'>2<span
1937style='font:7.0pt "Times New Roman"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
1938</span></span></span><![endif]><span lang=EN-IE>JET Content Authoring Overview</span></a></h1>
1939
1940<p class=MsoNormal><span lang=EN-IE>To author JET files and hear them playback interactively,
1941the content author will work in two or three applications which are designed to
1942work together smoothly. The first is application is any off-the-shelf <st1:place
1943w:st="on">MIDI</st1:place> sequencing application or Digital Audio Workstation
1944that supports VST (for PC) or AU (for Mac) plugins. (Logic, SONAR, Cubase, etc)
1945Here the author will compose their <st1:place w:st="on">MIDI</st1:place> music
1946files using the SONiVOX EAS Synth plugin as the playback synthesizer. </span></p>
1947
1948<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
1949
1950<p class=MsoNormal><span lang=EN-IE>Once the composer has completed their <st1:place
1951w:st="on">MIDI</st1:place> file(s), they import them into the JET Creator application.
1952Here the author will setup and audition the conditions for interactive playback
1953within the JET enabled game.</span></p>
1954
1955<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
1956
1957<p class=MsoNormal><span lang=EN-IE>Optionally, the author may elect to create
1958a custom DLS soundbank. This can be created in any off-the-shelf DLS authoring
1959application, such as Awave from MJSoft, and loaded into JET Creator along with
1960the <st1:place w:st="on">MIDI</st1:place> files.</span></p>
1961
1962<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
1963
1964<p class=MsoNormal><span lang=EN-IE>Below is an overview of this process. A
1965more detailed explanation of each step follows.</span></p>
1966
1967<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
1968
1969<ul style='margin-top:0in' type=disc>
1970 <li class=MsoNormal style='mso-list:l10 level1 lfo12;tab-stops:list .5in'><span
1971     lang=EN-IE>Launch digital audio workstation (DAW) </span></li>
1972 <ul style='margin-top:0in' type=circle>
1973  <li class=MsoNormal style='mso-list:l10 level2 lfo12;tab-stops:list 1.0in'><span
1974      lang=EN-IE>Assign the SONiVOX EAS Synth plugin as the playback
1975      synthesizer</span></li>
1976  <li class=MsoNormal style='mso-list:l10 level2 lfo12;tab-stops:list 1.0in'><span
1977      lang=EN-IE>Optionally load a custom DLS2 soundset </span></li>
1978  <li class=MsoNormal style='mso-list:l10 level2 lfo12;tab-stops:list 1.0in'><span
1979      lang=EN-IE>Compose and save <st1:place w:st="on">MIDI</st1:place> file(s)</span></li>
1980 </ul>
1981 <li class=MsoNormal style='mso-list:l10 level1 lfo12;tab-stops:list .5in'><span
1982     lang=EN-IE>Launch the JET Creator application</span></li>
1983 <ul style='margin-top:0in' type=circle>
1984  <li class=MsoNormal style='mso-list:l10 level2 lfo12;tab-stops:list 1.0in'><span
1985      lang=EN-IE>Create segments using the <st1:place w:st="on">MIDI</st1:place>
1986      and DLS2 source files</span></li>
1987  <li class=MsoNormal style='mso-list:l10 level2 lfo12;tab-stops:list 1.0in'><span
1988      lang=EN-IE>Add interactive elements</span></li>
1989  <li class=MsoNormal style='mso-list:l10 level2 lfo12;tab-stops:list 1.0in'><span
1990      lang=EN-IE>Audition interactive elements</span></li>
1991  <li class=MsoNormal style='mso-list:l10 level2 lfo12;tab-stops:list 1.0in'><span
1992      lang=EN-IE>Save and Export JET files for use in the Android application</span></li>
1993 </ul>
1994</ul>
1995
1996<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
1997
1998<p class=MsoNormal><span lang=EN-IE>Launch DAW � Content authors will need to
1999use a third party MIDI authoring application to compose their <st1:place w:st="on">MIDI</st1:place>
2000files. It is recommended they use a digital audio workstation (DAW) application
2001that supports VST or AU plugins as this will enable them to listen to the EAS
2002MIDI Synthesizer and DLS2 soundsets that will be utilized in the Android
2003application itself. Some examples of popular DAWs include SONAR (PC) and LOGIC
2004(MAC). </span></p>
2005
2006<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2007
2008<p class=MsoNormal><span lang=EN-IE>Assign SONiVOX EAS Synth plugin as the
2009playback synthesizer � The SONiVOX EAS Synth plugin is a VST and AU compatible
2010virtual instrument that plugs into VST or AU compatible DAWs. This software
2011plugin uses the same SONiVOX EAS MIDI synthesizer engine and default General
2012MIDI<span style='mso-spacerun:yes'>� </span>wavetable soundset inherent in
2013Android. Using this plugin allows content authors to hear the exact audio
2014rendering of the instruments and <st1:place w:st="on">MIDI</st1:place> file
2015that will be used in their Android applications.</span></p>
2016
2017<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2018
2019<p class=MsoNormal><span lang=EN-IE>Optionally Load DLS2 Soundset � The SONiVOX
2020EAS Synth plugin allows for the loading of any DLS2 compatible soundset for
2021playback. These could include a new GM wavetable set, or a small collection of
2022just a few custom instruments for a given application. Note, the DLS file does
2023not replace the internal GM wavetable used by the EAS engine. DLS soundsets
2024play in conjunction with the internal GM wavetable. </span></p>
2025
2026<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2027
2028<p class=MsoNormal><span lang=EN-IE>Compose MIDI File � Compose <st1:place
2029w:st="on">MIDI</st1:place> soundtracks for the Android application.</span></p>
2030
2031<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2032
2033<p class=MsoNormal><span lang=EN-IE>Launch JET Creator � Once all DLS2 and <st1:place
2034w:st="on">MIDI</st1:place> source files have been authored, the content author
2035should launch the JET Creator and begin creating JET Segments. The segments
2036will reference the <st1:place w:st="on">MIDI</st1:place> files and any custom
2037DLS2 soundbanks.</span></p>
2038
2039<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2040
2041<p class=MsoNormal><span lang=EN-IE>Assign JET Segment Attributes � After
2042creating segments the content author interactive elements. Interactive elements
2043include mute and unmute settings of individual tracks in the MIDI file(s) as
2044well as <st1:place w:st="on">MIDI</st1:place> controller numbers that serve as
2045�events� in the game. These attributes tell the JET engine how and when to play
2046the different musical segments according to the JET API commands in the Android
2047application. See below for more detail on this.</span></p>
2048
2049<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2050
2051<p class=MsoNormal><span lang=EN-IE>Audition Interactive Playback � After
2052assigning the segment attributes and creating the JET file, the content author
2053can audition all interactive playback elements in the JET Audition window.</span></p>
2054
2055<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2056
2057<p class=MsoNormal><span lang=EN-IE>Save .jtc File � After the author is
2058satisfied with the result, it is recommended they save the JET Creator .jtc
2059file which will save their settings, references to source files, etc.</span></p>
2060
2061<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2062
2063<p class=MsoNormal><span lang=EN-IE>Export Files � Exporting the JET Creator
2064file will bundle all source files and their attributes into a single .zip file.
2065The zip file will also contain a .jet file for use by the Android application.</span></p>
2066
2067<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2068
2069<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2070
2071<h1><a name="_Toc203298092"></a><a name="_Toc135724912"></a><a
2072name="_Toc135725135"></a><a name="_Toc135726610"></a><a name="_Toc135727779"></a><a
2073name="_Toc137004455"></a><![if !supportLists]><span style='mso-bookmark:_Toc203298092'><span
2074lang=EN-IE style='mso-fareast-font-family:Arial'><span style='mso-list:Ignore'>3<span
2075style='font:7.0pt "Times New Roman"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
2076</span></span></span></span><![endif]><span style='mso-bookmark:_Toc203298092'><span
2077lang=EN-IE>EAS Synth Virtual Instrument Plugin</span></span></h1>
2078
2079<p class=MsoNormal><span lang=EN-IE>Included in the JET Creator package is the
2080EAS software synthesizer in plug-in format. The EAS plugin synth allows the
2081composer to hear the instruments used in Android as they are composing their <st1:place
2082w:st="on">MIDI</st1:place> sequence. The EAS Synth plugin allows for the
2083loading of custom DLS2 sounds as well.</span></p>
2084
2085<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2086
2087<h2><![if !supportLists]><span lang=EN-IE style='mso-fareast-font-family:Arial'><span
2088style='mso-list:Ignore'>3.1<span style='font:7.0pt "Times New Roman"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
2089</span></span></span><![endif]><span lang=EN-IE>Installing the EAS Synth Plugin</span></h2>
2090
2091<p class=MsoNormal><span lang=EN-IE>Follow the instructions for your individual
2092DAW to install and utilize the plugin. For Mac users this will typically
2093involve copying the �EAS Synth.componant� file into your plugins folder which
2094is usually located at /Library/Audio/Plug-ins/Components. PC users will want to
2095install the �EAS Synth.dll� into the plugin folder that their DAW requires. </span></p>
2096
2097<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2098
2099<h2><![if !supportLists]><span lang=EN-IE style='mso-fareast-font-family:Arial'><span
2100style='mso-list:Ignore'>3.2<span style='font:7.0pt "Times New Roman"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
2101</span></span></span><![endif]><span lang=EN-IE>Requirements and Settings for
2102using the EAS Synth Plugin</span></h2>
2103
2104<p class=MsoNormal><span lang=EN-IE>The EAS Synth is an embedded synthesizer
2105for small mobile devices. This means it does not have the flexibility of high
2106end synthesizers typically utilized in a professional application such as
2107Logic, Digital Performer, etc. As such, only the following attributes are
2108supported.</span></p>
2109
2110<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2111
2112<p class=MsoNormal><span lang=EN-IE>Macintosh:</span></p>
2113
2114<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2115
2116<p class=MsoNormal><span lang=EN-IE>Mac OSX (Intel) Macs </span></p>
2117
2118<p class=MsoNormal><span lang=EN-IE>ASIO Supported Soundcards </span></p>
2119
2120<p class=MsoNormal><span lang=EN-IE>Sample Rate:<span style='mso-tab-count:
21211'>��� </span>44100 hz</span></p>
2122
2123<p class=MsoNormal><span lang=EN-IE>Buffer Size:<span style='mso-tab-count:
21241'>������ </span>256 kbytes</span></p>
2125
2126<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2127
2128<p class=MsoNormal><span lang=EN-IE>PC:</span></p>
2129
2130<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2131
2132<p class=MsoNormal><span lang=EN-IE>Windows 2000 or <st1:place w:st="on">Vista</st1:place>
2133operating systems</span></p>
2134
2135<p class=MsoNormal><span lang=EN-IE>ASIO supported soundcards</span></p>
2136
2137<p class=MsoNormal><span lang=EN-IE>Sample Rate:<span style='mso-tab-count:
21381'>��� </span>44100 hz</span></p>
2139
2140<p class=MsoNormal><span lang=EN-IE>Buffer Size:<span style='mso-tab-count:
21411'>������ </span>256 kbytes</span></p>
2142
2143<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2144
2145<h2><![if !supportLists]><span lang=EN-IE style='mso-fareast-font-family:Arial'><span
2146style='mso-list:Ignore'>3.3<span style='font:7.0pt "Times New Roman"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
2147</span></span></span><![endif]><span lang=EN-IE>Assigning <st1:place w:st="on">MIDI</st1:place>
2148Tracks to use the EAS Synth</span></h2>
2149
2150<p class=MsoNormal><span lang=EN-IE>Each DAW has its own particular method of
2151assigning <st1:place w:st="on">MIDI</st1:place> tracks to virtual instrument
2152plugins such as the SONiVOX EAS Synth. Please consult the user manual for your
2153DAW for detailed instructions. Below are some general guidelines for Logic
2154(Mac) and SONAR (PC).</span></p>
2155
2156<h3><![if !supportLists]><span lang=EN-IE style='mso-fareast-font-family:Arial'><span
2157style='mso-list:Ignore'>3.3.1<span style='font:7.0pt "Times New Roman"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
2158</span></span></span><![endif]><span lang=EN-IE>LOGIC 8</span></h3>
2159
2160<p class=MsoNormal><span lang=EN-IE>The SONiVOX EAS Synth virtual instrument is
2161a multi-timbral synthesizer. (i.e. it plays back multiple instruments on unique
2162<st1:place w:st="on">MIDI</st1:place> channels in a single instance) In Logic
21638, however, you�ll want to set up 16 Logic <i style='mso-bidi-font-style:normal'>Instruments,</i>
2164each with their own instance of the EAS Synth. Each Instrument should be assigned
2165its own <st1:place w:st="on">MIDI</st1:place> channel. Use Channel 10 for
2166Drums. The reason for this is that MIDI controller messages, such as Volume
2167(CC7) and Pan (CC10) will not be channelized if the plugin is assigned to only
2168a single Instrument and all <st1:place w:st="on">MIDI</st1:place> tracks are
2169set to playback on that Instrument. In order for each <st1:place w:st="on">MIDI</st1:place>
2170channel to respond to its own controller messages, you must assign 16 different
2171EAS Synth instances to 16 unique Logic Instruments.</span></p>
2172
2173<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2174
2175<p class=MsoNormal><span lang=EN-IE>A Logic 8 template file has been included
2176in the Android Cupcake release to facilitate the above.</span></p>
2177
2178<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2179
2180<p class=MsoNormal><span lang=EN-IE>Playback in Logic 8 may require you to be
2181in record enable mode for each track you are auditioning. To record enable
2182multiple tracks hold down the Option key.</span></p>
2183
2184<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2185
2186<p class=MsoNormal><span lang=EN-IE>To write out a standard <st1:place w:st="on">MIDI</st1:place>
2187(type 1) file from Logic, you need to use the File Export command. IMPORTANT:
2188Most edits in Logic are non-destructive edits meaning they are not modifying
2189the actual data but rather adding an overlay onto to the data. Quantize is one
2190such non-destructive edit. Therefore when you export a <st1:place w:st="on">MIDI</st1:place>
2191file, you may not see your quanitization settings. </span></p>
2192
2193<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2194
2195<p class=MsoNormal><span lang=EN-IE>In addition, the mix parameters for volume,
2196pan and program changes may not appear in the event list and therefore may not
2197write out with the <st1:place w:st="on">MIDI</st1:place> file. Before exporting
2198a <st1:place w:st="on">MIDI</st1:place> file in Logic it is recommended you do
2199the following:</span></p>
2200
2201<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2202
2203<p class=MsoNormal><span lang=EN-IE>Select All and use the �Insert MIDI &gt;
2204Insert MIDI Settings as Events� command.</span></p>
2205
2206<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2207
2208<p class=MsoNormal><span lang=EN-IE>Select All and use the �Apply Quantization
2209Settings Destructively� command. </span></p>
2210
2211<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2212
2213<h3><![if !supportLists]><span lang=EN-IE style='mso-fareast-font-family:Arial'><span
2214style='mso-list:Ignore'>3.3.2<span style='font:7.0pt "Times New Roman"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
2215</span></span></span><![endif]><span lang=EN-IE>Cakewalk SONAR 7</span></h3>
2216
2217<p class=MsoNormal><span lang=EN-IE>Sonar 7 is a bit easier to set up, use and
2218save than Logic 8. Simply open or start a new <st1:place w:st="on">MIDI</st1:place>
2219file. Go to the Insert menu and select Insert Soft Synth&gt;SONiVOX&gt;EAS
2220Synth. Then assign each <st1:place w:st="on">MIDI</st1:place> track�s output to
2221the EAS Synth. There is no need to record enable a track to hear it play back.
2222When saving, be sure to select MIDI Type 1.</span></p>
2223
2224<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2225
2226<p class=MsoNormal><span lang=EN-IE>SONAR 8 works similarly to SONAR 7.</span></p>
2227
2228<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2229
2230<h3><![if !supportLists]><span lang=EN-IE style='mso-fareast-font-family:Arial'><span
2231style='mso-list:Ignore'>3.3.3<span style='font:7.0pt "Times New Roman"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
2232</span></span></span><![endif]><span lang=EN-IE>Digital Performer</span></h3>
2233
2234<p class=MsoNormal><span lang=EN-IE>We�ve seen some instances when creating
2235content with Digital Performer where notes with a release velocity of non-0
2236will generate an extra note-on event in the EAS synth. If you are hearing a
2237doubling, editing the release velocity events to zero should fix this problem.</span></p>
2238
2239<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2240
2241<h2><![if !supportLists]><span lang=EN-IE style='mso-fareast-font-family:Arial'><span
2242style='mso-list:Ignore'>3.4<span style='font:7.0pt "Times New Roman"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
2243</span></span></span><![endif]><span lang=EN-IE>Using Custom DLS2 Soundsets</span></h2>
2244
2245<p class=MsoNormal><span lang=EN-IE>The SONiVOX EAS Synthesizer supports two
2246simultaneous soundsets or wavetables. One is the internal General MIDI wavetable
2247inherent to the SONiVOX EAS Synthesizer. The other is a Downloadable Sounds
2248Level 2 (DLS2) soundset. The internal wavetable is a GM Level 1 compliant
2249wavetable with 127 melodic instruments and 1 drumkit. It is in a proprietary
2250SONiVOX format. The DLS2 soundsets are an open format published by the MIDI
2251Manufactures Association. </span></p>
2252
2253<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2254
2255<p class=MsoNormal><span lang=EN-IE>In the Android Cupcake release, the
2256internal wavetable is only 200 kbytes, very small, in order to be compliant
2257with all Android devices which may not have a lot of memory. DLS2 soundsets can
2258be any size that a particular device supports. Upgraded (larger) internal
2259wavetables as well as custom DLS2 instruments can be licensed from SONiVOX.</span></p>
2260
2261<h3><![if !supportLists]><span lang=EN-IE style='mso-fareast-font-family:Arial'><span
2262style='mso-list:Ignore'>3.4.1<span style='font:7.0pt "Times New Roman"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
2263</span></span></span><![endif]><span lang=EN-IE>Loading a DLS2 Soundset</span></h3>
2264
2265<p class=MsoNormal><span lang=EN-IE>To load a custom soundset, click on the
2266Load DLS button in the EAS Synth plugin interface. Browse to the DLS2 file you
2267wish to load and say OK. <b style='mso-bidi-font-weight:normal'><i
2268style='mso-bidi-font-style:normal'>Only DLS Level 2 formatted soundsets are
2269supported.<o:p></o:p></i></b></span></p>
2270
2271<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2272
2273<h3><![if !supportLists]><span lang=EN-IE style='mso-fareast-font-family:Arial'><span
2274style='mso-list:Ignore'>3.4.2<span style='font:7.0pt "Times New Roman"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
2275</span></span></span><![endif]><span lang=EN-IE>Using a DLS2 Soundset</span></h3>
2276
2277<p class=MsoNormal><span lang=EN-IE>Since both the internal EAS GM wavetable
2278and a custom DLS2 soundset are used simultaneously, you must be sure you have
2279your MIDI Program Changes set correctly. DLS2 instruments must be assigned to a
2280Bank <i style='mso-bidi-font-style:normal'>other</i> than the default GM bank
2281used by the internal synthesizer. </span></p>
2282
2283<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2284
2285<p class=MsoNormal><span lang=EN-IE>The internal EAS synthesizer is assigned to
2286Banks 121 (melodic instruments) and 120 (drum instruments). This follows the
2287General MIDI Level 1 specification. Note: Most <st1:place w:st="on">MIDI</st1:place>
2288sequencers require you to use Bank 0 to select the default wavetable. Custom
2289DLS2 soundsets, therefore, should utilize a different Bank. We recommend Bank
22901.</span></p>
2291
2292<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2293
2294<p class=MsoNormal><span lang=EN-IE>The EAS synth supports MSB (Controller 0),
2295LSB (Controller 32) Bank change messages. There are two places you need to set
2296this Bank and Program Change number. The first is in your DLS2 soundset. Using
2297Bank 1, each Instrument would be assigned MSB 1, LSB 0, then the Instrument
2298Program Change number. The second place to use the Bank and Program Change
2299number is in your <st1:place w:st="on">MIDI</st1:place> sequence. </span></p>
2300
2301<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2302
2303<p class=MsoNormal><span lang=EN-IE>In your <st1:place w:st="on">MIDI</st1:place>
2304track, the MSB should be sent first followed by the LSB and then the Instrument
2305number. For example, if your DLS2 instrument is assigned MSB 1, LSB 0,
2306Program1, you would send CC0, 1 followed by CC32, 0 followed by Program Change
2307Message 1. This might look like the following in an event window:</span></p>
2308
2309<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2310
2311<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2312
2313<p class=MsoNormal><span lang=EN-IE><!--[if gte vml 1]><v:shape id="_x0000_i1029"
2314 type="#_x0000_t75" style='width:278.25pt;height:504.75pt'>
2315 <v:imagedata src="JET_Authoring_Guidelines_files/image011.png" o:title="Event List"/>
2316</v:shape><![endif]--><![if !vml]><img border=0 width=371 height=673
2317src="JET_Authoring_Guidelines_files/image012.gif" v:shapes="_x0000_i1029"><![endif]></span></p>
2318
2319<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2320
2321<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2322
2323<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2324
2325<h1><![if !supportLists]><span lang=EN-IE style='mso-fareast-font-family:Arial'><span
2326style='mso-list:Ignore'>4<span style='font:7.0pt "Times New Roman"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
2327</span></span></span><![endif]><span lang=EN-IE>JET Creator Guidelines</span></h1>
2328
2329<p class=MsoNormal><span lang=EN-IE>JET Creator is the desktop application
2330where you�ll edit and audition the JET interactive music elements. For details
2331on the JET Creator application please see the �JET Creator User Manual�. Below
2332are some additional guidelines to help you out.</span></p>
2333
2334<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2335
2336<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2337
2338<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2339
2340<h2><![if !supportLists]><span lang=EN-IE style='mso-fareast-font-family:Arial'><span
2341style='mso-list:Ignore'>4.1<span style='font:7.0pt "Times New Roman"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
2342</span></span></span><![endif]><span lang=EN-IE>Order of Tasks</span></h2>
2343
2344<p class=MsoNormal><span lang=EN-IE>As with all projects, its best to discuss and
2345design the interactive music scheme with the game designer and programmer
2346before beginning your composition. An outline and/or specification can go a
2347long way in saving you from having to redo things after the game is in place.</span></p>
2348
2349<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2350
2351<p class=MsoNormal><span lang=EN-IE>In general you�ll want to first write your
2352music in your DAW of choice the way you�re used to composing, then break up the
2353final <st1:place w:st="on">MIDI</st1:place> file as needed for the application.
2354Next, move to JET Creator and create all of your music segments in the order
2355easiest to preview them when played in order. Finally, add the JET Events to
2356control the segments via the Android game and Audition them as needed in JET
2357Creator. Finally, save the project in JET Creator and hand off the .jet file to
2358the programmer to integrate it in the game. After previewing there will likely
2359be changes to the <st1:place w:st="on">MIDI</st1:place> file(s) and JET Creator
2360attributes. </span></p>
2361
2362<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2363
2364<h2><![if !supportLists]><span lang=EN-IE style='mso-fareast-font-family:Arial'><span
2365style='mso-list:Ignore'>4.2<span style='font:7.0pt "Times New Roman"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
2366</span></span></span><![endif]><span lang=EN-IE>Conserving Memory</span></h2>
2367
2368<p class=MsoNormal><span lang=EN-IE>If you�re trying to conserve memory,
2369compose as few MIDI files as possible, and create several segments from that <st1:place
2370w:st="on">MIDI</st1:place> file. For example a 12 bar <st1:place w:st="on">MIDI</st1:place>
2371file with three sections of 4 bars, A, B, C, can create a much longer song.
2372Simply create multiple segments that reference the one <st1:place w:st="on">MIDI</st1:place>
2373file, then order them however you like. For example, A, A, B, A, C, A, B, A, A
2374would create a 36 bar song. Use JET to add repeats, transpose segments, and
2375interactively mute and unmute tracks to keep it even more interesting.</span></p>
2376
2377<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2378
2379<h2><![if !supportLists]><span lang=EN-IE style='mso-fareast-font-family:Arial'><span
2380style='mso-list:Ignore'>4.3<span style='font:7.0pt "Times New Roman"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
2381</span></span></span><![endif]><span lang=EN-IE>Replicate</span></h2>
2382
2383<p class=MsoNormal><span lang=EN-IE>To make adding segments or events faster,
2384use the Replicate command. Replicate can add multiple segments or events at one
2385time and uses an offset parameter and prefix naming convention to keep things
2386easy to read. The MOVE command is also useful for moving multiple events by a
2387set number of measures, beats or ticks.</span></p>
2388
2389<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2390
2391<h2><![if !supportLists]><span lang=EN-IE style='mso-fareast-font-family:Arial'><span
2392style='mso-list:Ignore'>4.4<span style='font:7.0pt "Times New Roman"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
2393</span></span></span><![endif]><span lang=EN-IE>Interactive Options</span></h2>
2394
2395<p class=MsoNormal><span lang=EN-IE>There are several interactive audio
2396concepts possible in JET. Below are a few examples although we hope developers
2397will come up with others we haven�t thought of! These are:</span></p>
2398
2399<h3><![if !supportLists]><span lang=EN-IE style='mso-fareast-font-family:Arial'><span
2400style='mso-list:Ignore'>4.4.1<span style='font:7.0pt "Times New Roman"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
2401</span></span></span><![endif]><span lang=EN-IE>Multiple Segment Triggering</span></h3>
2402
2403<p class=MsoNormal><span lang=EN-IE>In this method the application is
2404triggering specific segments based on events in the game. For example a hallway
2405with lots of fighting might trigger segment 1 and a hallway with no fighting
2406might trigger segment 2. Using JET TriggerClips in conjunction with this method
2407creates even more diversity.</span></p>
2408
2409<h3><![if !supportLists]><span lang=EN-IE style='mso-fareast-font-family:Arial'><span
2410style='mso-list:Ignore'>4.4.2<span style='font:7.0pt "Times New Roman"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
2411</span></span></span><![endif]><span lang=EN-IE>Mute Arrays</span></h3>
2412
2413<p class=MsoNormal><span lang=EN-IE>In this method the application is
2414triggering mute and unmute events to specific tracks in a single <st1:place
2415w:st="on">MIDI</st1:place> sequence. For example a hallway with lots of
2416fighting might play <st1:place w:st="on">MIDI</st1:place> tracks 1-16 and a
2417hallway with no fighting might play the same midi file but mute tracks 9-16.
2418Using JET TriggerClips in conjunction with this method creates even more
2419diversity.</span></p>
2420
2421<h3><![if !supportLists]><span lang=EN-IE style='mso-fareast-font-family:Arial'><span
2422style='mso-list:Ignore'>4.4.3<span style='font:7.0pt "Times New Roman"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
2423</span></span></span><![endif]><span lang=EN-IE>Music Driven Gameplay</span></h3>
2424
2425<p class=MsoNormal><span lang=EN-IE>Music driven gaming is similar to what
2426Guitar Hero and JETBOY have done in that the music content determines how
2427graphic events are displayed. The application then queries the user response to
2428the graphic events and interactively modifies the music in response. In this
2429method the game is utilizing JET Application Events, MIDI controllers that are
2430embedded in the <st1:place w:st="on">MIDI</st1:place> file and read by the game
2431in real-time. Based on the user response, multiple segment triggering and/or
2432mute arrays can be set.</span></p>
2433
2434<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2435
2436<p class=MsoNormal><span lang=EN-IE><o:p>&nbsp;</o:p></span></p>
2437
2438</div>
2439
2440</body>
2441
2442</html>
2443